She's what you are supposed to see, but the heavy engineering has been done around her, in place and gang. She not just shines, she understands emotional manipulation. I thought the same of and early Heath Ledger when I saw him in a King Arthur project with similar goals and values. I predict this actress will have a rich and much admired career. It isn't just the marvellous creation of this Nancy. But when the project is about seduction of identity, the stereotypes are up for experimentation. For a student of film it is a trade off because in ordinary film, where the qualities of film are exploited and sometimes extended, we are happy to accept stereotypes, tropes and genre conformity. So many films suppress the cinematic and narrative experiments in the service of cultural capture. Only this one is worthy of comment, because of the apparent excellence of the demographic engineering. Originally it was in the service of my history of mysteries, but neither qualify.
I've watched this version and the one with the same title from the thirties back to back.
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